
Jason Phu’s multi-disciplinary practice brings together a wide range of references, including traditional ink paintings, calligraphy, readymade objects, everyday vernacular, ancient folklore, personal narratives and historical events. Working across drawing, installation, painting, performance and film, Phu frequently uses humour as a device to address identity and cultural dislocation within an Australian context. Often employing stories of ghosts, spirits, demons and gods from Chinese culture as a personification of these concepts, Phu’s playful subject matter convey a sense of connection to today’s world while being simultaneously timeless.
Phu has exhibited extensively in Australia in solo and group shows, with significant exhibitions including Everyone is dead, except for me, again, Home Of The Arts, Sunshine Coast (2024); Like a Wheel That Turns: The 2022 Macfarlane Commissions, Australian Centre for Contemporary Art, Melbourne (2022); and Primavera 2018: Young Australian Artists, Museum of Contemporary Art, Sydney (2018). In 2017, Phu was awarded the West Space, Melbourne, commission, presenting the significant solo exhibition My parents met at the fish market. Phu has also been the recipient of many highly acclaimed awards, including Moving Image Commission for Young Australian Artists, Australian Centre for the Moving Image X Mordant Family (2021); Art Assembly Commission, Sydney Opera House (2019); Sir John Sulman Prize (2015); and the Freedman Foundation Travelling Art Scholarship (2015). He has been a finalist in the Sulman Prize (2022, 2019, 2018); the Ramsay Art Prize (2025, 2017); the New South Wales Emerging Visual Arts Fellowship (2017); the Brett Whiteley Travelling Art Scholarship (2016); and the Archibald Prize (2025, 2015, 2014).

Swimming in ant piss
2016
screen print
75.0 × 55.0 cm

the deepest love in the deepest well of despair
2024
STATION Naarm | Melbourn
installation view
Photo: Simon Strong

the deepest love in the deepest well of despair
2024
STATION Naarm | Melbourne
installation view
Photo: Simon Strong

everyone is dead, except for me, again
2024
Home of the Arts, Gold Coast
installation view

older hugo from the future fighting hugo from right now in a swamp and all the frogs and insects and fish and flowers now look on
2025
synthetic polymer paint on canvas
183.2 × 152.5 cm
2025 Archibald Prize finalist

Analects of Kung Phu
2021
ACMI, Melbourne
installation view
Photo: Phoebe Powell

10 flowers i picked at a cemetary and left on your door step, now you’re haunted by their ghosts and the cops think you are the cemetery flower robber
2023
STATION Naarm | Melbourne
installation view
Photo: Simon Strong

i couldn't find love, so i put on a robe, walked up the mountain, and became a hermit
2019
indian ink, spray paint, ceiling paint on linen
90 × 20 cm

i was born under a stone mountain
2019
STATION Naarm | Melbourne
installation view

the deepest love in the deepest well of despair (panel 1)
2024
acrylic on polycotton
213 × 1188 cm (6 panels, 213 × 198 cm each)

i never had a family until the townspeople feared me
2019
viponds acrylic on linen
130 × 180 cm

when winter turns to spring all is forgotten the bad and the good,
2022
acrylic on unprimed linen
190.0 × 95.0 cm

Parade for the Moon 19
2021
Ace Hotel, Sydney
in situ
Photo: Anson Smart

i am crying, because i am frustrated, how do we solve all the problems?
2019
viponds acrylics, golden acrylics on linen
90 × 120 cm

i see you everywhere i go in bundles of flowers in the faces of dogs staring up at me as they poop in road signs in pictures of you on linkedin
2022
acrylic on unprimed linen
190.0 × 95.0 cm

My parents met at the fish market
2017
West Space Commission, Melbourne
installation view

Suite of 15 works, 10
2017
etching
50.0 × 35.0 cm (sheet)

when our tongues touch the juice comes out of the gourd
2019
ceiling paint, house paint on linen
90 × 120 cm

i saw you while riding my horse you were riding an ass who was more beautiful in that moment?
2022
ink and acrylic on unprimed linen
190.0 × 95.0 cm

My parents met at the fish market
2017
installation viewWest Space Commission, Melbourne
installation view

poems for when you miss someone
2022
STATION Naarm | Melbourne
installation view

Gertrude Glasshouse
2022
Gertrude Glasshouse, Melbourne
installation view

i am nothing without you but you are everything without me
2019
spray paint on linen
90 × 120 cm

Primavera
2018
Museum of Contemporary Art, Sydney
installation view

if i find you, im gonna eat your guts, i am for real
2019
ceiling paint, house paint on linen
90 × 120 cm

you can only know people as much as you know yourself (and you don't know yourself at all you idiot)
2019
ceiling paint, house paint, golden acrylics on linen
90 × 120 cm

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