Jason Phu’s multi-disciplinary practice brings together a wide range of references, including traditional ink paintings, calligraphy, readymade objects, everyday vernacular, ancient folklore, personal narratives and historical events. Working across drawing, installation, painting, performance and film, Phu frequently uses humour as a device to address identity and cultural dislocation within an Australian context. Often employing stories of ghosts, spirits, demons and gods from Chinese culture as a personification of these concepts, Phu’s playful subject matter convey a sense of connection to today’s world while being simultaneously timeless.

Phu has exhibited extensively in Australia in solo and group shows, with significant exhibitions including Everyone is dead, except for me, again, Home Of The Arts, Sunshine Coast (2024); Like a Wheel That Turns: The 2022 Macfarlane Commissions, Australian Centre for Contemporary Art, Melbourne (2022); and Primavera 2018: Young Australian Artists, Museum of Contemporary Art, Sydney (2018). In 2017, Phu was awarded the West Space, Melbourne, commission, presenting the significant solo exhibition My parents met at the fish market. Phu has also been the recipient of many highly acclaimed awards, including Moving Image Commission for Young Australian Artists, Australian Centre for the Moving Image X Mordant Family (2021); Art Assembly Commission, Sydney Opera House (2019); Sir John Sulman Prize (2015); and the Freedman Foundation Travelling Art Scholarship (2015). He has been a finalist in the Sulman Prize (2022, 2019, 2018); the Ramsay Art Prize (2017); the New South Wales Emerging Visual Arts Fellowship (2017); the Brett Whiteley Travelling Art Scholarship (2016); and the Archibald Prize (2015, 2014).