
Steve Carr is a leading New Zealand artist working predominantly across film, photography and sculpture. Within Carr’s practice, a preoccupation with controlled experiments, processes and outcomes is evident, manifesting in moments of subtle, humorous, and sometimes violent material transformation. Seemingly banal events – such as paint-filled balloons popped with a needle or a bubble meeting its demise on the tip of a cactus – are brought to life in real time, slow motion, loops and time lapse. Through the depiction of these somewhat incongruous actions, Carr resists the kinds of detached spectatorship induced by the current era of unprecedented visual stimuli, encouraging time for sustained observation and reflection.
Carr has exhibited extensively across New Zealand and Australia, including Christchurch Art Gallery (2021); Dunedin Public Art Gallery (2021); Tauranga Art Gallery, (2021); Museum of New Zealand Te Papa Tongarewa, Wellington (2020); City Gallery, Wellington (2019); Govett-Brewster/Len Lye Centre, New Plymouth (2017); Centre for Contemporary Photography, Melbourne (2016); National Gallery of Victoria, Melbourne (2019); Auckland Art Gallery, Auckland (2013); and Institute of Modern Art, Brisbane (2012). His works are held in the collections of many of these major institutions.

In Bloom (IndigiGrow)
Museum of Contemporary Art, Sydney
installation view

Making Arrangements
2023
STATION Gadigal/Sydney
installation view
Photo: Document Photography

Making Arrangements
2023
STATION Gadigal / Sydney
installation view
Photo: Document Photography

In Bloom (Marx)
2024
STATION Naarm/Melbourne
installation view
Photo: Simon Strong

Transpiration
2014
Dunedin Public Art Gallery, New Zealand
installation view

A Manual for Small Archives
2016
Centre for Contemporary Photography
installation view

The Fallen Man
2020
STATION Gallery Naarm/Melbourne

The Fallen Man
2020
STATION Naarm/Melbourne
installation view

Albedo, Flavedo
2020
STATION Naarm/Melbourne
installation view

The Fallen Man
2020
STATION Naarm/Melbourne
installation view

Dead Time
2012
STATION Naarm/Melbourne
installation view

In Bloom, (Marx)
2024
STATION Naarm/Melbourne
installation view
Photo: Simon Strong

Dead Time No.7
2012
single channel digital video, colour, silent
duration: 520 seconds

Dead Time
2012
7 channel installation
Duration: 520 seconds, Edition of 3

Dead Time
2012
7 channel installation
Duration: 520 seconds, Edition of 3

The First Morning
2020
inkjet print on Canson Velin Museum Rag 315gt
23 works, 42.0 × 29.7cm framed

The First Morning
2020
inkjet print on Canson Velin Museum Rag 315gt
23 works, 42.0 × 29.7cm framed
detail

The First Morning
2020
inkjet print on Canson Velin Museum Rag 315gt
23 works, 42.0 × 29.7cm framed
detail view

echo
2018
STATION Naarm/Melbourne
installation view

Screen Shots
2011
HD file transferred to Blu-Ray
26 min 22 sec

Screen Shots
2011
HD file transferred to Blu-Ray
26 min 22 sec

Winter Feeding #5
2015
HD Camera
endless loop

Variations For Troubled Hands #4
2015
ink jet on rag photographique
22.0 × 16.5 cm (23 individual photographs)

Studies for Cadence
2015
STATION Naarm/Melbourne
installation view

Queen Anne
2009
type c photograph, edition of 3
124.0 × 114.0 cm (framed)

A Pillow with a River Rock
2022
carved marble and river rock
43.5 × 65.0 × 14.0 cm

Chasing the light
2019
National Gallery of Victoria, Melbourne
installation view