Dean Cross is an artist primarily working across installation, sculpture and painting. Interested in the collisions of materials, ideas and histories, Cross is motivated by an understanding that his practice sits within a continuum of the oldest living culture on Earth – and enacts First Nations sovereignty through expanded contemporary art methodologies. His cross-disciplinary practice often confronts the legacies of modernism, rebalancing dominant cultural and social histories.
Recent significant group exhibitions include Octopus 23: THE FIELD, Gertrude Contemporary, Melbourne, curated by Tamsin Hopkinson (2023); Free/State, Adelaide Biennial of Australian Art, Art Gallery of South Australia (2022); Being Human, Photo 2022, Melbourne, curated by Brendan McCleary (2022); and Primavera 2021: Young Australian Artists, Museum of Contemporary Art, Sydney, curated by Hannah Presley (2021). In 2023, Cross had a major solo exhibition Things That Are Real: Alvaro Barrington x Dean Cross at Cement Fondu, Sydney. His work is held by major institutions including The Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; and Heide Museum of Modern Art, Melbourne.
gunalgunal (contracted field)
installation view
2022 Adelaide Biennial of Australian Art
Art Gallery of South Australia, Adelaide
Photo: Saul Steed
On who goes to The Gallows
1997-2023
aluminium, timber, synthetic polymer paint, fired ceramic, fabric and paper
Australian Centre for Contemporary Art, Victoria
Photo: Andrew Curtis
Une Tempête
2012-2022
charcoal, aerosol and photograph on 425gsm Saunders Waterford watercolour paper
83.5 x 122.0 cm
Ninety-five Theses
2009-2022
oil-stick, timber, canvas, ink, paper, acrylic, found image, ink, rice paper, Rhodamine B, ezy-tac, found photograph and staples
95.0 x 77.0 cm
sad state
1962–2022
timber, steel, brass, wire, felt, graphite, lacquer, iron and plastic
dimensions variable
To be Clever - To be Posh
2023
installation view
Photo: Simon Strong
Self Portrait as Dorothea Mackellar
2021
Ngunnawal ochre, Rhodamine B, charcoal, drawing ink and 300 gsm Arches watercolour paper on canvas
97.5 x 92.0 cm
T.B.C
2022
oil on poly cotton canvas
45.5 x 35.5 cm
Circles of dialogue
2023
installation view
Pox Painting #2 (1312)
2022
rhodamine B, ink, synthetic polymer and line marking aerosol on poly-cotton canvas
164.0 x 222.0 cm
Sometimes I Miss the Applause
2022
edition of 3 + 2AP HD video with sound, 8.38 mins
Chainsaw
2022
oil, synthetic polymer and ink on canvas
205.0 x 136.0 cm
There is nothing to be afraid of
2022
neon
140.0 x 110.0 cm
I tried to wander above the fog but I couldn’t see where I was going
2023
oil, synthetic polymer, linen, paper, line marking aerosol, oil stick and pumice on poly cotton canvas
191.0 x 201.0 cm
Photo: Jessica Maurer
what a shadow feels like
2022
installation view
Photo: Joshua Hourigan
The Stain
2022
pure pigment on Hahnmüle torchon
169.0 x 84.5 cm framed