Isadora Vaughan’s exhibition ‘Gaia Not The Goddess’ opens tomorrow at Heide Museum of Modern Art.
In realising her large-scale sculptural forms, Vaughan reconsiders the basic properties of materials and their capacity to suggest meaning beyond themselves—poetic, political, organic or otherwise.
For this installation, Vaughan has worked with bio-composite materials that have lately been gaining traction in debates around sustainable development: fungal mycelium and a compound of hemp and lime variously marketed as Hempcrete or Hemplime, along with materials local to Heide: the Mt Gambier limestone of McGlashan and Everist’s iconic Heide II, and beeswax from Heide’s colonies.