
Paul Yore works across installation, sound, video, collage, assemblage and textiles, often employing needlepoint, quilting, and appliqué techniques. Narratives of kitsch Australiana collide with sexually and politically loaded images, and popular culture reference to make up Yore’s uniquely garish, playful, provocative and politically astute works. His anarchic and anti-formalist approach to materials and content results in a visual cacophony of imagery and text that critiques the upheaval and dysfunction of contemporary society. Yore brashly and unapologetically re-centres radical and emancipatory queer expression against the backdrop of neoliberalism and the material excesses of capitalism.
Yore has exhibited in major institutions across Australia and internationally, including in Austria, Belgium, France, Germany, Mexico, the Netherlands, Poland, South Korea, the UK and USA. His work is held in various public and private collections, in Australia and internationally, including the Art Gallery of South Australia, Adelaide; National Gallery of Victoria, Melbourne; Heide Museum of Modern Art, Melbourne; Textile Art Museum, Ararat; Artbank, Australia; Ian Potter Museum, Melbourne; Art Gallery of Ballarat, VIC; Bendigo Art Gallery, VIC; Wangaratta Art Gallery; VIC; Buxton Contemporary, Melbourne; and Si Shang Art Museum, Beijing. Yore has been included in important international publications, including Phaidon’s Vitamin T: Threads and Textiles in Contemporary Art and Thames & Hudson’s Threads: Contemporary Embroidered Art. A significant survey exhibition, Paul Yore: WORD MADE FLESH was presented by the Australian Centre for Contemporary Art, Melbourne in September 2022.

WORD MADE FLESH
2022
Australian Centre for Contemporary Art
installation view
Photo: Andrew Curtis

WORD MADE FLESH
Carriageworks, Sydney, 2023
installation view
2022
Photo: Zan Wimberley

Sydney Opera House (You Make Me Feel)
2024
mixed media assemblage on board comprising glass, crockery, Perspex, beads, glitter, found objects, synthetic fur, trim, ribbon, cotton thread, LED light, wood, adhesive, fixtures, synthetic polymer, enamel
165.0 × 173.0 × 12.0cm

Melbourne Art Fair
2025
installation view
Photo: Simon Strong

Namedropping
2024
Museum of Old and New Art, Hobart
installation view
Photo: Jesse Hunniford

Sulphur-crested Cockatoo with Flowers
2025
mixed media assemblage on board comprising glass, shells, crockery, Perspex, beads, sequins, glitter, faux fur, fabric, trim, found objects, LED light, adhesive, wood, fixtures, synthetic polymer
198.0 × 171.0 × 17.0cm

Let Us Not Die From Habit
2018
mixed media textile applique comprising found materials, reclaimed fabrics, wool, beads, sequins, buttons, acrylic
230.0 × 405.0 cm
Collection: Art Gallery of South Australia

Melbourne Art Fair
2025
installation view
Photo: Simon Strong

It’s All Wrong, But It’s Alright
2019
Dark Mofo festival, Hobart
Installation view

NEVER BE ENOUGH
2021
wool needlepoint
44.0 × 48.0 cm

WORD MADE FLESH
2022
Australian Centre for Contemporary Art, Melbourne
installation view
Photo: Andrew Curtis

DEEPFAKES
2023
STATION Naarm/Melbourne
installation view
Photo: Simon Strong

Vegemite Jar
2025
acrylic yarn needlepoint, cotton thread, board, mixed media
15.0 × 15.0 cm

Pleasures Against Nature
2020
RMIT Intersect, Melbourne
Installation view

What A Horrid Fucking Mess
2016
mixed media textile applique comprising found materials, reclaimed fabrics, wool, beads, sequins, buttons, acrylic paint, marker
210.0 × 342.0 cm

Pleasures Against Nature
2020
RMIT intersect, Melbourne
Installation view

Stupid Is, As Stupid Does
2021
mixed media textile comprising found objects beads, sequins, buttons
206.0 × 172.0 cm

THIS WORLD IS NOT FOR YOU
2022
STATION Gadigal/Sydney
installation view
Photo: Document Photography

FUCK OFF WE'RE FOOLS
2021
wool needlepoint
45.0 × 49.0 cm

DEEPFAKES
2023
STATION Naarm/Melbourne
installation view
Photo: Simon Strong

BLOOD WILL HAVE BLOOD
2021
wool needlepoint
43.0 × 48.0 cm

OLD SINS CAST LONG SHADOWS
2021
mixed media textile appliqué comprising found objects, reclaimed fabric, digital print, beads, sequins, buttons, wool, cotton thread, acrylic
234.0 × 407.0 cm

FUCK ME DEAD
2025
BEYOND, Melbourne Art Fair
installation view
Photo: Phoebe Powell

LET THEM EAT CAKE
2021
mixed media assemblage comprising found objects, jewellery, beads, buttons, enamel, wood, epoxy resin
91.0 × 61.0 cm