Kate Bohunnis, eges of excess, 2020

Kate Bohunnis’ practice is conceptually rigorous and technically resolved, with an inventive approach to materials and a focus on gender, identity and queer methodologies. In recent projects, Bohunnis has turned their attention to the complexities and trappings of pleasure, from a personal and neuroscientific standpoint. They are also interested in spiritualism as a vehicle for exploring family history and inventive methods of psychological support. In form, Bohunnis’ work often leans toward the abject as a way of negotiating bodily and political identities. They are known for producing pared back, large-scale sculptural installations using metals in contradictory and deliberate dialogue with wax, silicone, latex, leather and textiles. Their works are often highly charged with allusions to power, dominance, subjugation and containment.

Bohunnis has exhibited widely and received significant acclaim for their practice. From 2025–2027, they are undertaking a Long-Term Residency at Hangar in Barcelona and were awarded the Marten Bequest Travelling Scholarship. In 2024, they participated in the GlogauAIR Residency in Berlin. In 2022, they were the recipient of an Arts SA Fellowship, and in 2021 were awarded the Ramsay Art Prize, one of Australia’s leading prizes for emerging artists. Their other accolades include the Eran Svigos Award for Best Visual Art at Adelaide Fringe (2020), the South Australian Graduate Award from Helpmann Academy (2020), the David Hayden Professional Development Award (2018), the Watson Award (2017), and the Arts Excellence in Printmaking Award from Adelaide College of the Arts (2016).