
Heather B. Swann has established a formidable reputation as a maker of sculptural objects and ink drawings of dark, sensual and fantastic presence. With influences ranging widely across themes and imagery drawn from museum culture, history, mythology and natural science, Swann works outwards from the poetics of intimate sensation, emotion and thought. She is closely engaged with both the eternal present of perception and her own world of feeling, as well as making allusion to the particular crises of our troubled times. Her project is the translation of such fleeting phenomenological observations into form. Swann’s figurative reflexes often produce images of human or animal bodies, semblances of life kinked by surrealist convulsion and an instinct for abstraction.
Swann was named the recipient of the 2025 Copyright Agency Partnerships commission, presented in collaboration with UNSW Galleries, and has a forthcoming solo exhibition, The Forest of Symbols at UNSW Galleries in late 2026. Swann has also recently been awarded an Australian Print Workshop Shelton Artist Fellowship, which result in a suite of lithographs to be exhibited at the Print Workshop in Melbourne in March 2026. In addition to presenting more than twenty solo shows since 1993, Swann has had work included in numerous significant curated group exhibitions, including Inner Sanctum, Adelaide Biennial of Australian Art, Art Gallery of South Australia (2024); From the other side, Australian Centre for Contemporary Art, Melbourne (2023-2024); NGV Triennial, National Gallery of Victoria, Melbourne (2023); The National 4: New Australian Art, Art Gallery of New South Wales, Sydney (2023); Setouchi Triennale, Japan, (2022); Know My Name: Australian Women Artists 1900 to Now, National Gallery of Australia, Canberra (2021); Magic Object, Adelaide Biennial of Australian Art, Art Gallery of South Australia (2016); and Streetwise: contemporary print culture, National Gallery of Australia, Canberra (2015). In 2025, Swann was awarded the Barbara Tribe Travelling Arts Scholarship by Art Gallery of New South Wales to participate in the Cité Internationale des Arts Paris residency program. Swann is represented in many private and public collections.

Leda and the Swan
2021
bronze, stained old wood, wax, buttons
107.0 × 23.0 × 15.0 cm (Leda); 104.0 × 107.0 × 40.0 cm (Swan)
Collection of Buxton International, Melbourne

Ouroboros
2023
wood, paper, binder, marble dust, stain wax
319.4 × 296.0 × (53.5) cm
Collection of the National Gallery of Victoria, Melbourne

Human Frailty
2023
wood, glass, modelling suff, aquamarine, ruby, garnet, forged steel, lacquer, brass
13 pieces; 6.8 × 11.7 × 3.5 cm (each)
MECCA Collection, Melbourne

Human Frailty (detail)
2023
wood, glass, modelling stuff, aquamarine, ruby, garnet, forged steel, lacquer, brass
6.8 × 11.7 × 3.5 cm
MECCA Collection, Melbourne

Place for Sea Dreamers
2022
installation view
Collaboration with Nonda Katsalidis for the 2022 Setouchi Triennale, Japan

Col Tempo
2023
plywood, papier-mâché
358.0 × 51.0 cm
installation view from 'Twist' at Tasmanian Museum & Art Gallery (TMAG)

Leda and the Swan
2021
View of Heather B Swann's Hobart studio
Collection of the Art Gallery of NSW, Sydney

Last night on earth
2023
wood, glass
150.0 × 129.0 cm
installation view from 'Twist' at Tasmanian Museum & Art Gallery, Hobart

Last night on earth (detail)
2023
wood, glass
installation view from 'Twist' at Tasmanian Museum & Art Gallery, Hobart

The staggering girl
2021
acrylic on wood panel
nine panels, 76.0 × 76.0 cm (each); 228.0 × 228.0 cm (overall)
Collection of Heide Museum of Modern Art, Melbourne

Sydney Contemporary
2023
installation view of works by Heather B. Swann and Tony Clark

Luna
2017
patinated bronze
58.0 × 18.0 × 8.8 cm
Collection of Murdoch University Art Collection

Man
2014
metal, modelling compound, ink, wax
45.0 × 39.0 × 33.0 cm

Talking Heads Rocker
2014
plywood, paper, glue, ink, marble dust, boot polish
109.0 × 50.0 × 300.0 cm

Shoulder height
2014
steel, wood, paper, ink
159.0 × 135.0 × 48.0 cm

Ouroboros
2018
wood, modelling compound, stain, wax polish
128.0 × 116.0 × 12.0 cm

An unmade bed
2023
installation view
STATION, Sydney

An unmade bed
2023
installation view
STATION, Sydney

An unmade bed
2023
installation view
STATION, Sydney

Oh lover, hold me close
2021
installation view
STATION, Melbourne

Oh lover, hold me close
2021
installation view
STATION, Melbourne

Oh lover, hold me close - Owl in the owl cave (detail)
2021
synthetic polymer paint on canvas
two panel: 213.0 × 198.0 cm each; 213.0 × 396.0 cm overall

Oh lover, hold me close - The pool (detail)
2021
synthetic polymer paint on canvas
four panel: 213.0 × 181.0 each; 213.0 × 724.0 overall

Oh lover, hold me close - Green slippers
2021
synthetic polymer paint on canvas
two panel: 213.0 × 198.0 cm each; 213.0 × 396.0 cm overall