
Gareth Sansom is one of Australia’s most highly regarded painters and provocateurs; a leading figure of the Australian twentieth-century avant-garde. With an active practice stretching back to the 1960s, Sansom has established a distinctive style of formal abstraction characterised by a punk approach, garish colour palettes, hard-edge geometric forms juxtaposed against figurative gestures, and the inclusion of ambiguous text and visual imagery. Merging references to art history, film, literature, philosophy and popular culture with a personal iconography, Sansom’s intuitively formed paintings create a visual complexity that explores physical, psychological and material transformation.
Sansom is an artist and teacher who has placed painting at the centre of his artistic production. He was Head of Painting and then Dean of the School of Art at the Victorian College of the Arts from 1977 until 1991 when he retired to focus solely on his art practice. Throughout a long illustrious career, Sansom has had several retrospective exhibitions, including Transformer at the National Gallery of Victoria in 2017, Gareth Sansom: Welcome to My Mind at the Ian Potter Museum of Art, the University of Melbourne in 2005, and Gareth Sansom: Paintings 1956–1986, at the University Gallery, University of Melbourne in 1986. Sansom will have a forthcoming solo exhibition at the Mornington Peninsula Regional Gallery, opening late 2026. Sansom’s works are held in numerous public and private collections, nationally and internationally, including the Metropolitan Museum of Art, New York; National Gallery of Australia, Canberra; Museum of New Zealand Te Papa Tongarewa, Wellington; Art Gallery of New South Wales, Sydney; Art Gallery of South Australia, Adelaide; Art Gallery of Western Australia, Perth; National Gallery of Victoria, Melbourne; Queensland Art Gallery of Modern Art, Brisbane.

H G Wells' War of the Worlds
2022
oil and enamel on linen
122.0 × 122.0 cm
Andrew Curtis Photography

The Rains of Ranchipur
2022
oil and enamel on linen
152.0 × 122.0 cm

Jekyll and Ply
2023
STATION Naarm/Melbourne
installation view
Photo: Simon Strong

5 yellow rectangles
2022
oil and enamel on linen
122.0 × 122.0 cm
Andrew Curtis Photography

Jekyll and Ply
2023
STATION Naarm/Melbourne
installation view

GOD
2018
oil and enamel on linen
183.0 × 168.0 cm

Fragments
2015
oil and enamel on linen
76.0 × 76.0 cm

Boat
2018
oil and enamel on linen
60.0 × 60.0 cm

A Case of the Old and the New
2020
STATION Naarm/Melbourne
installation view

The hand of fate
2015
oil and enamel on linen
76.0 × 76.0 cm

The Dissertation
2020
oil and enamel on linen
183.0 × 244.0 cm

A Case of the Old and the New
2020
STATION Naarm/Melbourne
installation view

A Case of the Old and the New
2020
STATION Naarm/Melbourne
installation view

The Ministry of Silly Walks
2020
oil and enamel on linen
183.0 × 167.0 cm

Vorticist
2015
oil and enamel on linen
122.0 × 122.0 cm

No man is an island
2020
oil and enamel on linen
183.0 × 244.0cm
Finalist in the Wynne Prize 2020

A Case of the Old and the New
2020
STATION Naarm/Melbourne
installation view

New Paintings
2016
STATION Naarm/Melbourne
installation view

The Antipodean
2016
oil and enamel on linen
183.0 × 169.0 cm

Brainless
2016
oil and enamel on linen
183.0 × 169.0 cm

An idea of Thee
2016
oil and enmel on linen
183.0 × 169.0 cm

Amsterdam
1982
pencil, collage, crayon and ink on paper, framed
47.0 × 35.0 cm

Crabtree's Pharmacopeia
2016
oil and enmel on linen
122.0 × 183.0 cm

INRI
2018
oil and enamel on linen
60.0 × 60.0 cm

The star
2016
oil and enamel on linen
122.0 × 122.0 cm

Green man 2
2018
oil and enamel on linen
61.0 × 61.0 cm

A Case of the Old and the New
2020
STATION Naarm/Melbourne
installation view