Esther Stewart’s works sit in a fertile space between painting, sculpture, architecture and public art, exploring the myriad possibilities offered by the visual languages of geometric abstraction, design and decoration. Her hybrid sculpture-paintings utilise bold geometrical forms, precise lines and colour palettes that reference the ornamental features of domestic architecture such as awnings, balustrades, lattices and tiles, and the patterning of marble veneers, carpets or wood panelling. She often collaborates with other architects and craftspeople to extend the spatial and material possibilities within her practice. Stewart’s practice pushes traditional boundaries of hierarchy and discipline, establishing an elastic relationship between form and function, art and design.
Stewart was the winner of the prestigious Sir John Sulman Prize in 2016. Her work has been exhibited nationally and internationally at galleries and institutions, including Australian Centre for Contemporary Art, Melbourne; Heide Museum of Modern Art, Melbourne; McClelland Gallery and Sculpture Park; Mornington; Gertrude Contemporary, Melbourne; Goulburn Regional Art Gallery, Goulburn; Ballarat Art Gallery, Ballarat; Kunsthalle Schaffhausen Vebikus, Switzerland; and Galleria dell’ Accademia, Florence. In 2015, Italian designer Valentino engaged Stewart to collaborate on translating her paintings into the Autumn/Winter 2015-2016 menswear collection.
This space has been created for something to happen
2019
Gertrude Glasshouse
installation view
The conditions have been made right for something to happen
2007
TCB
installation view
Enter
2019
Lyons House Museum and Galleries
installation view
Perfection
2019
Gallaeria Dell Academia, Florence
installation view
Threshold
2016
Bendigo Hopsital
Installation view
2015
Installation view
2015
Installation view
2015
Simultanism
2015
acrylic on board
180.0 x 150.0 cm
Featurism is not simply a decorative technique
2015
acrylic on board
180.0 x 150.0 cm
Modern Standards
2015
acrylic on board
180.0 x 150.0 cm
This is not a distinction in nature, but in point of view
2015
acrylic on board
180.0 x 150.0 cm
It's all a show. Just information
2015
acrylic on board
180.0 x 150.0 cm
Early lessons in living
2015
acrylic on board
180.5 x 261.5 cm
Module 1
2021
acrylic on aluminium, aluminium frames
overall: 221.0 x 303.0 cm, framed
The evolving house
2021
acrylic on aluminium, aluminium frame
221.0 x 151.5 cm, framed
Module 2
2021
acrylic on aluminium, aluminium frames
overall: 222.0 x 163.0 cm, framed
Taken as a whole
2021
acrylic on aluminium, aluminium frame
111.0 x 81.5 cm, framed
Out of step
2021
acrylic on aluminium, aluminium frame
111.0 x 81.5 cm, framed
Module 3
2021
acrylic on aluminium, aluminium frames
overall: 221.0 x 363.0 cm, framed
Freely from one mode to another
2021
acrylic on aluminium, aluminium frame
181.5 x 150.5 cm, framed
The era has come to an end
2021
acrylic on aluminium, aluminium frame
181.5 x 150.5 cm, framed
Installed in a hallway
2021
acrylic on aluminium, aluminium frame
90.5 x 70.5 cm, framed
Turned out
2021
acrylic on aluminium, aluminium frame
90.5 x 70.5 cm, framed
Zip, Step, Site
2021
installation view
photo: James Whiting
Zip, Step, Site
2021
installation view
photo: James Whiting
Zip, Step, Site
2021
installation view
photo: James Whiting
How to Decorate a Dump
2016
Heide Museum of Modern Art
installation view